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(From the Cornalba Polyptych), c. 1496. Creator: Caselli, Cristoforo (ca 1460-1521)
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(From the Cornalba Polyptych), c. 1496. Creator: Caselli, Cristoforo (ca 1460-1521)
(From the Cornalba Polyptych), c. 1496. Found in the Collection of the Accademia Carrara, Bergamo
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Media ID 36216621
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Accademia Carrara Apostle Apostles History Belief Bergamo Caselli Cristoforo Ca 1460 1521 Devoted Disciple Of Jesus Christ Faith John The Baptist John The Evangelist John The Forerunner Loyalty Magdalen Magdalene Martyr Martyrdom Mary Magdalen Mary Magdalene Mary Of Magdala Parmese School Prophet Saint John The Baptist Saint John The Evangelist Saints Tempera On Panel Theology
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EDITORS COMMENTS
This exquisite 15th-century painting, titled "From the Cornalba Polyptych," is a testament to the profound devotion and belief in the New Testament stories of Christianity during the Renaissance period. Created by the esteemed Italian artist Cristoforo Caselli around 1496, this masterpiece is currently housed in the Accademia Carrara in Bergamo, Italy. The central figure of the painting is Jesus Christ, surrounded by his twelve apostles, including John the Baptist and John the Evangelist. John the Baptist, depicted as the forerunner and prophet, is shown in the lower left panel, dressed in camel's hair and holding a cross and a lamb. John the Evangelist, the author of the fourth Gospel, is depicted in the upper right panel, with a book and a pen in his hands. Mary Magdalene, a central figure in the New Testament and a devoted disciple of Jesus, is depicted in the lower right panel. She is shown with long, flowing hair and dressed in red, a symbol of her repentance and her role as a martyr. The painting also includes other saints, such as Peter, Paul, and Andrew, each with their unique attributes and symbols. The painting is a fine example of the Parmesan School, characterized by its use of tempera on panel. The intricate details, lifelike expressions, and rich colors demonstrate Caselli's mastery of the medium and his deep understanding of theological themes. The painting invites viewers to contemplate the stories of the New Testament and the enduring faith of the apostles and saints. This artwork is a precious reminder of the deep spiritual beliefs and artistic achievements of the Renaissance period in Italy.
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