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G. Steevens, (1736-1800), 1830. Creator: Unknown
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G. Steevens, (1736-1800), 1830. Creator: Unknown
G. Steevens, (1736-1800), 1830. George Steevens (1736-1800) English Shakespearean commentator and director of the East India Company, educated at Eton College and at Kings College, Cambridge. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co. J. Cumming, London, Glasgow and Dublin, 1830]
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Media ID 19302089
© The Print Collector/Heritage Images
Alfred Alfred Howard Biographical Illustrations Cambridge University Charles Griffin College Company Richard Griffin And Cumming Cumming J Director East India Company Eton Eton College Griffin Griffin And Company Griffin Richard Howard Howard Alfred J Cumming Kings College R Griffin And Co Richard Richard Griffin And Richard Griffin And Company School Shakespeare Shakespeare William Shakespearean Shakespearian Shakspeare T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son Tegg Son T Tegg Thomas Thomas Tegg University University Of Cambridge William Shakespeare Commentator Steevens Titled
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EDITORS COMMENTS
This print captures the enigmatic figure of G. Steevens, a prominent English Shakespearean commentator and director of the East India Company during the late 18th century. The creator of this intriguing portrait remains unknown, adding an air of mystery to Steevens' already fascinating life. Steevens was a man of great intellect and influence, having received his education at prestigious institutions such as Eton College and Kings College, Cambridge. His sharp mind and deep understanding of literature made him an esteemed authority on Shakespeare's works. In this image, Steevens gazes directly at the camera with a directness that reflects his confident demeanor. Dressed in a stylish coat befitting his status, he exudes an aura of intelligence and sophistication. The engraving is taken from "Biographical Illustrations" by Alfred Howard, published in 1830 by Thomas Tegg, R. Griffin & Co. , J. Cumming in London, Glasgow, and Dublin. This piece serves as both a historical document capturing the essence of 18th-century British society and as a testament to Steevens' significant contributions to literary scholarship. As we admire this portrait today, we are reminded not only of George Steevens' remarkable achievements but also how art can immortalize individuals who have left their mark on history for generations to come.
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