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Glyanzo Osip - exiled convict, 1899. Creator: AK Keppel
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Glyanzo Osip - exiled convict, 1899. Creator: AK Keppel
Glyanzo Osip - exiled convict, 1899. This collection includes more than four hundred photographs of daily life in Yenisei Province in the late tsarist period. Photographs include peasants, Cossacks, and high-ranking officials
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Media ID 35133513
© Heritage Art/Heritage Images
Bizarre Convict Crazy Eccentric Exile Exiled Krasnoyarsk Siberia Russia Mustache Quirky Shaved Siberia Siberian Stare Staring Tunic Yenisey Siberia Russia Hairdressing Meeting Of Frontiers
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EDITORS COMMENTS
This striking photograph, titled "Glyanzo Osip - exiled convict, 1899," is a poignant glimpse into the past, captured by renowned Russian photographer AK Keppel. The image is part of a larger collection of over four hundred photographs documenting daily life in Yenisei Province during the late Tsarist period. The photograph features a solitary man named Glyanzo Osip, who appears to be in his prime, with a direct gaze that seems to challenge the viewer. He is dressed in a simple tunic, with a thick moustache and shaved head, adding to his eccentric appearance. The exterior setting of the image places him in a rural location, possibly in Siberia, with a stark, barren landscape in the background. The convict's intense stare and quirky hairstyle, combined with his shabby clothing, suggest a man who has endured hardships and faced adversity. The photograph invites us to contemplate the complexities of human experience, particularly in the context of the harsh realities of life in the late 19th century. The image is a testament to the power of photography to capture a moment in time and preserve it for future generations. It also offers a glimpse into the rich cultural heritage of Russia and the diverse people who inhabited its vast territories during this period. The Library of Congress, where this photograph is housed, is a treasure trove of such historical gems, offering us a window into the past and a reminder of the human stories that lie behind the images.
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