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A Good Beginning 1872. Artist: Joseph Swain

A Good Beginning 1872. Artist: Joseph Swain


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A Good Beginning 1872. Artist: Joseph Swain

A Good Beginning.. 1872. The new Ballot Bill had recently been passed into law and here Britannia drops a slight curtsey to the lanky figure of the Ballot. The man to the left is Hugh Childers. This was the first parliamentary by-election held under the new regulations. Mr Childers was returned for the constituency of Pontefract by 658 votes. His Conservative opponent was Lord Pollington who won 578 votes. From Punch, or the London Charivari, August 24, 1872

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Media ID 14831594

© The Print Collector / Heritage-Images

Britannia Election Heritage Image Partnership John Tenniel Joseph Swain Parliament Political Event Sir John Tenniel Swain Tenniel Voting Allegorical Figure By Election Childers Curtsying


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EDITORS COMMENTS
In this print titled "A Good Beginning. . 1872" we are transported back to a significant moment in British history. The artist, Joseph Swain, skillfully captures the essence of a political event that marked the dawn of a new era. The year is 1872, and the recently passed Ballot Bill has revolutionized the electoral process. At the center of attention stands Britannia herself, gracefully curtsying to honor the symbolic figure of the Ballot. This allegorical representation signifies not only a shift in voting practices but also emphasizes Britannia's endorsement and support for this progressive change. To her left stands Hugh Childers, an influential politician who played a pivotal role in this historic by-election held under these new regulations. With his lanky figure towering over others, he exudes confidence and determination as he secures victory with an impressive 658 votes. Childers' Conservative opponent, Lord Pollington, though defeated with 578 votes, adds depth to this political tableau. Their contrasting positions highlight the significance of choice and democracy within society. This monochrome engraving from Punch magazine serves as both satire and celebration of this transformative moment in Victorian politics. Through John Tenniel's collaboration with Swain on this print, they immortalize not only Childers' triumph but also capture an important milestone in British parliamentary history.

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