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Graphiurus ocularis (Spectacled dormouse), 1777-1786. Creator: Robert Jacob Gordon
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Graphiurus ocularis (Spectacled dormouse), 1777-1786. Creator: Robert Jacob Gordon
Graphiurus ocularis (Spectacled dormouse), 1777-1786
Heritage Images features heritage image collections
Media ID 36355315
© Heritage Art/Heritage Images
Deck Paint Dormouse Endemic Gordon Robert Jacob Ink On Paper Natural History Robert Jacob Gordon Rodent Sketch Book Sketchbook South Africa South African Tail Watercolor Paint Whisker Whiskers Wild Animal Wildlife Letterbox Format
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EDITORS COMMENTS
This 18th century print showcases the intricately detailed illustration of the Spectacled Dormouse (Graphiurus ocularis) by Dutch naturalist and artist, Robert Jacob Gordon. Created between 1777 and 1786, this artwork is a testament to the rich natural history heritage of the African continent. The low country native of South Africa is depicted in a close-up, profile view, with its distinctive spectacles and whiskers accentuating its expressive features. Gordon's masterful use of various media, including ink, pencil, and watercolor paint on paper, brings the dormouse's unique characteristics to life. The lettering and handwriting in the print add an authentic touch, transporting us back to the era of exploration and discovery. The Spectacled Dormouse, an endemic rodent species, is a fascinating wild animal native to South Africa. With its tail curled around its body, this dormouse appears to be standing at attention, showcasing its captivating profile. The intricate details of its fur texture, whiskers, and the delicate shading of its spectacles are all rendered with remarkable precision. This artwork is a valuable addition to any collection of natural history, African art, or heritage art. Its letterbox format and panoramic aspect ratio make it an excellent choice for framing and displaying in a museum, home, or office setting. The Rijksmuseum in the Netherlands is one of the many esteemed institutions that hold Robert Jacob Gordon's works in their collections, further cementing his place in the annals of art and science history.
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