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Guillemard. Isidore, Francois. 46 ans, ne a St-Michel des Andaines (Orne)

Guillemard. Isidore, Francois. 46 ans, ne a St-Michel des Andaines (Orne)


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Guillemard. Isidore, Francois. 46 ans, ne a St-Michel des Andaines (Orne)

Guillemard. Isidore, Francois. 46 ans, ne a St-Michel des Andaines (Orne). Menuisier. Anarchiste 28/2/94. 1894

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Media ID 20136891

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Carpenter Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Orne

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print by Alphonse Bertillon showcases Guillemard. Isidore, Francois, a 46-year-old carpenter and anarchist hailing from St-Michel des Andaines in Orne, France. The black and white portrait captures the essence of an era defined by political unrest and social change. Isidore's arresting gaze pierces through time, revealing his rebellious spirit and unwavering dedication to anarchism. His bearded countenance adds an air of wisdom and defiance to this powerful image. Bertillonage, a pioneering system developed by Alphonse Bertillon himself for criminal identification purposes, is evident in the meticulous anthropometric measurements taken during Isidore's arrest on February 28th, 1894. This photograph serves as both a record of his physical features and a testament to the scientific advancements made in the field of physical anthropology at that time. The Metropolitan Museum of Art proudly houses this significant piece within its collection, showcasing not only Isidore's individuality but also shedding light on the broader socio-political climate prevalent during that period. It stands as a reminder of how photography can capture history while simultaneously providing insights into professions like carpentry that were integral to society at large. As we delve into this thought-provoking portrait captured over a century ago, it becomes clear that Guillemard. Isidore François was more than just another face in the crowd; he was an embodiment of resistance against societal norms

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