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Hakama No, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Hakama No, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
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Hakama No, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Hakama No, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
Hakama No, from the series "Pictures of No Performances (Nogaku Zue)", 1898
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Media ID 24372163
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Bennosuke Tsukioka Crane Cranes Drummer Drummers Drums Hanyu Sadanosuke Instrument Instruments Kogyo Sakamaki Kogyo Tsukioka Kohan Meiji Era Meiji Period Musicians Nenkyu Peach Peaches Sadanosuke Hanyu Sakamaki Kogyo Screen Servant Servants Show Tsukioka Bennosuke Tsukioka Kogyo Colour Woodblock Print Playhouse
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This vibrant and captivating print titled "Hakama No, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" by Kogyo Tsukioka takes us back to the enchanting world of traditional Japanese theater. The image showcases a mesmerizing scene from a Noh performance during the Meiji era, capturing the essence of this ancient art form. In this particular piece, we see a male performer dressed in an elaborate hakama robe, adorned with intricate patterns and colors. His hand gestures are graceful and precise as he embodies his character on stage. The attention to detail is remarkable, with every fold of fabric and expression meticulously depicted. The backdrop features a serene landscape with cranes gracefully soaring through the sky, symbolizing longevity and good fortune in Japanese culture. A drummer can be seen in the background providing rhythmic accompaniment to enhance the dramatic atmosphere. Tsukioka's masterful use of color woodblock printing brings life to each element within this composition. From the vivid hues of peaches scattered at the performer's feet to the rich tones that illuminate his face, every aspect contributes to creating a visually stunning piece. This artwork not only serves as a testament to Tsukioka's artistic talent but also offers us an insight into Japan's cultural heritage. It reminds us of how theater has long been cherished as both entertainment and an art form throughout history.
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