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Half-Length Recumbent Male Nude Seen from the Back, c.1590. Creator: Pietro Faccini

Half-Length Recumbent Male Nude Seen from the Back, c.1590. Creator: Pietro Faccini


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Half-Length Recumbent Male Nude Seen from the Back, c.1590. Creator: Pietro Faccini

Half-Length Recumbent Male Nude Seen from the Back, c.1590

Heritage Images features heritage image collections

Media ID 36205970

© Heritage Art/Heritage Images

Anatomical Anatomical Study Anatomy Back Charcoal Lead White Life Drawing Lying Lying Down Oil Paint Paint Reclining Recumbent Stumping Laid Paper Nakedness Pietro Faccini


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> Animals > Mammals > Pitheciidae > Discolor

> Animals > Mammals > Tupaiidae > Discolor

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Arts > Realistic drawings > Figure drawing > Life drawing

> Arts > Realistic drawings > Still life artwork > Figure drawing

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life drawings > Figure drawing

> Arts > Realistic drawings > Still life drawings > Life drawings


EDITORS COMMENTS
This half-length recumbent male nude, created by Pietro Faccini around 1590, offers a unique perspective into the world of anatomical studies during the Renaissance period. The black and white charcoal drawing with stumping touches of oil paint and traces of lead white on tan laid paper, exhibits a figure lying down, reclining in a thoughtful and introspective pose. The back view of the nude man, with his muscles and anatomy delicately rendered, reveals a deep understanding of the human form and the artist's mastery of the medium. The drawing, now housed at the Art Institute of Chicago, is a testament to the cultural and historical significance of anatomical studies during the 16th century. Pietro Faccini's work, much like his contemporaries, was influenced by the scientific exploration of the human body and the desire to capture its intricacies and complexities. The use of charcoal and oil paint on laid paper, a common technique during this time, allowed for a level of detail and tonal range that was unmatched by other mediums. This drawing is not only an important addition to the annals of art history but also a reminder of the enduring fascination with the human body and its representation in art. The recumbent figure, with its strong lines and subtle shading, invites the viewer to explore the intricacies of the human form and the artistic skill of its creator. This work of art continues to inspire and intrigue, offering a glimpse into the past and the rich heritage of artistic and scientific inquiry.

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