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Heads of the Virgin and Child, c1492-1494, (1943). Creator: Giovanni Antonio Boltraffio
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Heads of the Virgin and Child, c1492-1494, (1943). Creator: Giovanni Antonio Boltraffio
Heads of the Virgin and Child, c1492-1494, (1943). Drawing in the Devonshire Collection, Chatsworth House, Derbyshire. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart. [Atlantis-Verlag Berlin, Zurich, 1943]
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Media ID 19066276
© The Print Collector/Heritage Images
Bernhard Bernhard Degenhart Boltraffio Degenhart Europaische Handzeichnungen Giovanni Antonio Madonna And Child Metalpoint Virgin And Child Giovanni Antonio Boltraffio
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EDITORS COMMENTS
This print showcases the exquisite artwork of Giovanni Antonio Boltraffio, titled "Heads of the Virgin and Child". Created between 1492-1494, this drawing is a remarkable representation of Renaissance artistry. The delicate lines and intricate details bring to life the faces of the Virgin Mary and baby Jesus in a truly mesmerizing way. Displayed in the Devonshire Collection at Chatsworth House in Derbyshire, this piece is part of Bernhard Degenhart's renowned book "Europaische Handzeichnungen" which celebrates five hundred years of European drawings. The monochrome aesthetic adds an air of timelessness to these fifteenth-century figures, making them transcend their era. Boltraffio's skillful use of metalpoint technique highlights every strand of hair on both mother and child. Their serene expressions convey a sense of divine grace while capturing the essence of Christian spirituality. This portrait serves as a powerful symbol for those seeking solace or inspiration within religious art. The juxtaposition between the 15th-century creation date and its inclusion in Degenhart's 1943 publication offers an intriguing glimpse into how art can bridge centuries. It reminds us that even amidst tumultuous times like World War II, beauty endures through artistic expression. As we gaze upon this stunning image, we are reminded not only of Boltraffio's talent but also his ability to capture profound emotions within his subjects' features. This print serves as a testament to
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