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Hercules in the Augean Stable, 1888
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Hercules in the Augean Stable, 1888
Hercules in the Augean Stable, 1888. Hercules attempts to clean the Augean Stables. Recent abuses in the sport of racing had led to an enquiry being set up. From Punch, or the London Charivari, February 18, 1888
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Media ID 14832051
© The Print Collector / Heritage-Images
Abuse Cleaning Corruption Edward Linley Edward Linley Sambourne Herakles Hercules Heritage Image Partnership Horse Racing Hose Sambourne Stable Cleanse Greek Mythology
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EDITORS COMMENTS
This print, titled "Hercules in the Augean Stable, 1888" captures a powerful moment of Greek mythology intertwined with social commentary. Created by Edward Linley Sambourne, this engraving showcases Hercules attempting to cleanse the notorious Augean Stables. Intriguingly, this artwork from the 19th century draws parallels to contemporary issues surrounding corruption and abuse within the sport of horse racing. The setting is reminiscent of recent scandals that prompted an official inquiry into these abuses. Sambourne's satirical approach through caricature and satire highlights his criticism towards such misconduct. The image portrays Hercules using a hose to clean the stables while surrounded by animals and horses. This symbolism emphasizes not only the physical task at hand but also represents cleansing and purification on a metaphorical level. By referencing Greek mythology, Sambourne suggests that addressing corruption requires herculean efforts. Sambourne's mastery in capturing intricate details adds depth to this heritage image partnership print. His monochrome technique enhances every line and stroke, giving life to each character depicted in this scene. As we admire this remarkable piece of artistry, let us reflect on its underlying message: just as Hercules confronted challenges head-on to restore order in ancient times, it is our responsibility today to confront corruption wherever it may be found – even if it means taking on seemingly insurmountable tasks like cleaning out the Augean Stables of our time.
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