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Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
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Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside her. This relates to the introduction of a motion by Mr Butt calling for Home Rule in Ireland, and this was debated at the beginning of July 1874. Mr Bull, the representative in Punch of the British people, held the view that Britain might legitimately pursue peace and freedom from Irish troubles by allowing Home Rule. However, duty to Ireland meant that the United Kingdom should remain united and, although Mr Butt spoke eloquently for his motion, it was the right result, in Punchs opinion, that the motion was in the end comprehensively defeated. From Punch, or the London Charivari, July 11, 1874
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Media ID 14831269
© The Print Collector / Heritage-Images
Butt Eire Heritage Image Partnership Ireland Irish Isaac John Bull John Tenniel Joseph Swain Miserable Sir John Tenniel Stool Swain Tenniel Allegorical Figure
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Home- (Rule)-Opathy, 1874
EDITORS COMMENTS
is a thought-provoking print that captures the political climate of Ireland in the late 19th century. The artist, Joseph Swain, portrays Mr Isaac Butt, the moderate leader of the Irish Home Rule Party, opening a box labeled "Home Rule". Meanwhile, Ireland sits by her small fire with meager possessions on a stool beside her. This image symbolizes the introduction of Mr Butt's motion for Home Rule in Ireland and its subsequent debate in July 1874. In Punch magazine's perspective, represented by Mr Bull as the voice of Britain, allowing Home Rule could bring peace and freedom from Irish troubles. However, duty to Ireland meant that maintaining unity within the United Kingdom was crucial. Despite Mr Butt's eloquent arguments for his motion, Punch believed it was right that it was ultimately defeated comprehensively. The print reflects this sentiment through its allegorical figures and satirical elements. The monochrome engraving adds depth to this historical artwork while emphasizing its serious tone. It serves as a reminder of an important moment in Irish politics during which conflicting views on self-governance were fiercely debated. Overall, "Home- (Rule)-Opathy" encapsulates both the aspirations and challenges faced by Ireland at that time and invites viewers to contemplate themes such as national identity and political autonomy.
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