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Ibsamboul, Entree De Speos D Hathor;Nubie, 1849 / 51, printed 1852

Ibsamboul, Entree De Speos D Hathor;Nubie, 1849  /  51, printed 1852


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Ibsamboul, Entree De Speos D Hathor;Nubie, 1849 / 51, printed 1852

Ibsamboul, Entree De Speos D Hathor; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 109 from the album " egypte, nubie, palestine et syrie" (1852)

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Media ID 23873863

© Heritage Art/Heritage Images

1852 19th Dynasty Abu Simbel Abu Simbel As Said Egypt Ancient Site Camp Maxime Du Colossi Colossus Du Camp Maxime Egypte Nubie Palestine Et Syrie And Hemi Speos Hemispeos Hieroglyphic Hieroglyphics Ii Ramesses Maxime Du Camp Middle Eastern Monument Nubia Nubian Ozymandias Pharaoh Rameses Ii Rameses The Great Ramesses Ii Ramesses The Great Ramses Ii Ramses The Great Rock Cut Salted Paper Print Speos Temple Of Abu Simbel Temple Of Hathor Unesco World Heritage Site Ancient Egyptian Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Egypt Heritage Sites > Nubian Monuments from Abu Simbel to

> Africa > Egypt > Related Images

> Architecture > Country > France

> Architecture > Religious

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Arts > Artists > C > Maxime Du Camp

> Asia > Palestine > Palestine Heritage Sites > Birthplace of Jesus: Church of

> Asia > Palestine > Related Images


EDITORS COMMENTS
The captivating print titled "Ibsamboul, Entree De Speos D Hathor; Nubie, 1849 / 51, printed 1852" transports viewers to the ancient wonders of Egypt. Taken by Maxime du Camp in the mid-19th century, this salted paper print showcases the grandeur and intricate details of Abu Simbel. The image captures the entrance to the magnificent speos (rock-cut temple) dedicated to Hathor, a revered goddess in ancient Egyptian mythology. The colossal figures of Ramses II stand guard on either side, their imposing presence a testament to the power and authority of this great pharaoh. Hieroglyphics adorn every surface, telling stories of religious significance and historical events. Du Camp's black and white composition adds an air of timelessness to this historic site. The play between light and shadow highlights both the architectural beauty and natural rock formations surrounding Ibsamboul. As we gaze upon this photograph today at the Art Institute Chicago or any other art gallery fortunate enough to display it, we are reminded not only of Egypt's rich cultural heritage but also of humanity's enduring fascination with ancient civilizations. Du Camp's meticulous attention to detail allows us a glimpse into a world long past while preserving its majesty for generations to come. This remarkable piece serves as a visual portal through which we can explore our collective history and appreciate the artistic brilliance that has shaped our understanding of ancient Egypt.

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