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Ibsamboul, Partie Meridionale Du Speos D Hathor;Nubie, 1849 / 51, printed 1852
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Ibsamboul, Partie Meridionale Du Speos D Hathor;Nubie, 1849 / 51, printed 1852
Ibsamboul, Partie Meridionale Du Speos D Hathor; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 110 from the album " egypte, nubie, palestine et syrie" (1852). (Abu Simbel)
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Media ID 23881347
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1852 19th Dynasty Abu Simbel Abu Simbel As Said Egypt Ancient Site Camp Maxime Du Colossi Colossus Du Camp Maxime Egypte Nubie Palestine Et Syrie And Fa And Xe7 Hemi Speos Hemispeos Hieroglyphic Hieroglyphics Ii Ramesses Maxime Du Camp Middle Eastern Monument New Kingdom Nubia Nubian Ozymandias Pharaoh Rameses Ii Rameses The Great Ramesses Ii Ramesses The Great Ramses Ii Ramses The Great Rock Cut Salted Paper Print Speos Temple Of Abu Simbel Temple Of Hathor Unesco World Heritage Site Ancient Egyptian Mizraim
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Ibsamboul, Partie Meridionale Du Speos D Hathor; Nubie, 1849/51, printed 1852
EDITORS COMMENTS
is a captivating print captured by Maxime du Camp in the 19th century. The image showcases the southern part of the magnificent Speos d'Hathor temple in Ibsamboul, located in ancient Nubia (present-day Abu Simbel, Egypt). The photograph was created using salted paper print technique and is plate number 110 from du Camp's renowned album "Egypte, Nubie, Palestine et Syrie" published in 1852. In this black and white composition, we are transported back to the era of Ramses II (also known as Ramesses the Great), one of Ancient Egypt's most powerful pharaohs. The grandeur of this historic site is evident through its colossal figures and intricate hieroglyphics adorning the entrance facade. As we gaze upon this monumental structure built during the New Kingdom period, we can't help but marvel at its architectural splendor and religious significance. Maxime du Camp's photographic expertise allows us to appreciate not only the physical beauty but also captures a glimpse into an ancient civilization that thrived centuries ago. This artwork serves as a testament to both Egyptian heritage and French artistic mastery. Displayed within an art gallery or institute like Chicago's Art Institute where it resides today, this photograph invites viewers to immerse themselves in history while contemplating humanity's enduring fascination with our past.
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