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Initial "A" from an Antiphonary, ca 1395-1403. Creator: Lorenzo Monaco (ca. 1370-1425). Initial "A" from an Antiphonary, ca 1395-1403. Creator: Lorenzo Monaco (ca. 1370-1425)
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Initial "A" from an Antiphonary, ca 1395-1403. Creator: Lorenzo Monaco (ca. 1370-1425). Initial "A" from an Antiphonary, ca 1395-1403. Creator: Lorenzo Monaco (ca. 1370-1425)
Initial "A" from an Antiphonary, ca 1395-1403. Found in the collection of the Musee du Louvre, Paris
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Media ID 36317455
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Antiphonal Antiphonary Florentine School Illuminated Art Illuminated Manuscript Initial Liturgical Book Liturgy Manuscript Illumination Medieval Illuminated Letter Miniature Musee Du Louvre Tempera And Gold On Parchment
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EDITORS COMMENTS
1. Title: Initial "A" from Antiphonary, created by Lorenzo Monaco (ca. 1370-1425) 2. Description: This exquisite Initial "A" is an exceptional example of the artistic prowess of Lorenzo Monaco, a prominent figure in the Florentine School during the late 14th and early 15th centuries. Dated between 1395 and 1403, this masterpiece is found in the esteemed collection of the Musee du Louvre in Paris. The Antiphonary, a liturgical book used primarily during religious services, showcases this magnificent Initial "A" adorned with intricate decorative elements and vibrant colors. The letter is painted in tempera and gold on parchment, with the "A" shaped like a majestic arch, its arms adorned with delicate foliage and graceful tendrils. The central motif of the letter is a stylized lily, a symbol of the Blessed Virgin Mary, which is surrounded by a richly detailed background of interlaced foliage and geometric patterns. Monaco's mastery of the art of illumination is evident in the meticulous detail and precision of the goldwork, which adds a regal and sacred quality to the letter. The delicate shading and subtle color variations further enhance the three-dimensional appearance of the foliage and tendrils, creating a harmonious balance between the natural and the divine. This Initial "A" is a testament to the artistic achievements of the Middle Ages and the Renaissance, reflecting the profound spirituality and artistic innovation of the period. It is a captivating reminder of the beauty and intricacy of illuminated manuscripts and the enduring influence of Lorenzo Monaco's work on the history of art.
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