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The International Exhibition: "Venus", a coloured marble statue, by J. Gibson, R.A. 1862. Creator: Unknown. The International Exhibition: "Venus", a coloured marble statue, by J. Gibson, R.A. 1862. Creator: Unknown
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The International Exhibition: "Venus", a coloured marble statue, by J. Gibson, R.A. 1862. Creator: Unknown. The International Exhibition: "Venus", a coloured marble statue, by J. Gibson, R.A. 1862. Creator: Unknown
The International Exhibition: "Venus", a coloured marble statue, by J. Gibson, R.A. 1862. An idea seems to be current that the statue is painted in imitation of flesh, and that it will be but a marble replica of a pose plastique in salmon-coloured tights. Mr. Gibson has not so endeavoured to caricature Nature. The tinting of his matchless Venus is of the very faintest and most delicate hue, and the principal effect on the spectator will be that the figure is of ivory, and not of marble...It is coloured very slightly, and has been gifted with a pair of gold earrings. It is a sweet figure. The attitude is exquisitely graceful, and the significance of the Venus de Medici is earned out by the position in which this modern goddess gathers up the folds of her white drapery with one hand, while with the other she holds the golden apple. A peculiarity is noticeable about her throat, which is crossed by slight wrinkles, or, rather, ripples. This is considered by Italian judges to be a beauty; and perhaps when Mr. Gibson is at Rome he not only does as they do there, but thinks as they think'. From "Illustrated London News", 1862
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1862 International Exhibition Coloured Cultural Event Drapery Gibson John Great London Exposition International Exhibition Of 1862 John Gibson Venus Worlds Fair Nakedness
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EDITORS COMMENTS
This image showcases the renowned sculpture "Venus" by British artist John Gibson, R.A., created in 1862. The statue, which is housed in the International Exhibition, is a masterpiece of subtle coloration, with the tinting being so delicate that it appears more like an ivory figure than a marble one. Contrary to popular belief, Gibson did not strive to mimic flesh with salmon-colored paint, but rather employed the most subtle and refined hues to enhance the sculpture's natural beauty. The Venus statue is adorned with gold earrings and exudes an air of grace and elegance, as evidenced by her exquisite pose. Her significance as the goddess of love is emphasized by her holding the golden apple with one hand, while gathering the folds of her white drapery with the other. A unique feature of this Venus is the slight wrinkles or ripples on her throat, a detail that Italian judges considered a sign of beauty. Gibson, who may have been influenced by Italian artistic traditions during his time in Rome, not only adopted their methods but also their aesthetic sensibilities. This Venus, with her delicate coloration and timeless beauty, continues to captivate viewers and inspire awe over a century and a half after its creation.
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