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The Introduction (Miai), the first sheet from the series "Marriage in Brocade Prints... c. 1769. Creator: Suzuki Harunobu
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The Introduction (Miai), the first sheet from the series "Marriage in Brocade Prints... c. 1769. Creator: Suzuki Harunobu
The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769
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Media ID 25324371
© Heritage Art/Heritage Images
Chuban Chuban Yoko E Harunobu Harunobu Suzuki Introducing Introduction Marriage In Brocade Prints Meeting Olive Green Suzuki Harunobu Virtuous Visiting Yoko E Color Woodblock Print
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EDITORS COMMENTS
The Introduction (Miai), the first sheet from the series 'Marriage in Brocade Prints' by Suzuki Harunobu, captures a moment of anticipation and elegance during Japan's Edo period. This exquisite woodblock print, created around 1769, showcases Harunobu's mastery of color and composition. In this scene, we witness a traditional matchmaking meeting known as miai. A group of men and women gather in a beautifully adorned room, their attire reflecting the vibrant fashion trends of the time. The virtuous woman at the center is dressed in an olive green kimono with delicate rose patterns, symbolizing her purity and grace. Harunobu's attention to detail is evident in every aspect of this artwork. The soft pink hues create a serene atmosphere while highlighting the intricate patterns on each character's clothing. The use of chuban yoko-e format allows for a wider perspective that immerses viewers into this world. As we observe this print at the Art Institute Chicago or any other art gallery fortunate enough to display it, we are transported back to 18th-century Japan—a time when arranged marriages were common practice and societal customs dictated courtship rituals. Suzuki Harunobu's legacy as one of ukiyo-e's most celebrated artists shines through his ability to capture intimate moments like these with such finesse. Through his woodblock prints, he not only preserved Japanese culture but also left behind an enduring artistic treasure for generations to admire.
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