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San Giorgio Maggiore from the Dogana, 1819. Artist: JMW Turner

San Giorgio Maggiore from the Dogana, 1819. Artist: JMW Turner


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San Giorgio Maggiore from the Dogana, 1819. Artist: JMW Turner

San Giorgio Maggiore from the Dogana, 1819. From the Tate collection

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Media ID 14882134

© Artmedia / Heritage-Images

Belfry Bell Tower Campanile J M W Turner Jmw Turner Joseph Mallord William Lagoon San Giorgio Maggiore Turner Venetian Venice Waterfront Print Collector7


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Venice

> Architecture > Religious

> Architecture > Towers > Churches

> Architecture > Towers > Related Images

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Romanticism

> Arts > Artists > Related Images

> Heritage Images > JMW Turner


EDITORS COMMENTS
This print showcases JMW Turner's masterpiece, "San Giorgio Maggiore from the Dogana" painted in 1819. The image captures the essence of Venice, Italy, with its stunning architecture and picturesque waterfront. Turner's use of color and light brings life to this 19th-century landscape painting. The focal point of the artwork is the magnificent bell tower or campanile of San Giorgio Maggiore Church, rising proudly against a backdrop of sea and sky. Its elegant design exemplifies Venetian architecture at its finest. The artist skillfully portrays the intricate details of this religious structure, emphasizing its importance within both the cityscape and Christian faith. As we gaze upon this print, we are transported to a bygone era when Venice was a bustling hub of trade and culture. The lagoon surrounding San Giorgio Maggiore adds depth to the composition while reflecting shimmering light onto its facade. Turner's work falls under the genre of Romanticism, characterized by his ability to evoke emotions through dramatic landscapes. This particular watercolor piece demonstrates his mastery in capturing not only physical structures but also atmospheric elements such as misty skies and serene waters. With every brushstroke preserved in this print, we can appreciate Turner's genius even centuries later. It serves as a reminder that art has no boundaries - transcending time and place - allowing us to experience different cultures without leaving our own surroundings.

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