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Jonathans Coffee House, London, 1763. Artist: HO Neal

Jonathans Coffee House, London, 1763. Artist: HO Neal


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Jonathans Coffee House, London, 1763. Artist: HO Neal

Jonathans Coffee House, London, 1763. Jonathans Coffee House, or an analysis of Change Alley, with a group of characters from the life. Foreigners discuss business in Jonathans Coffee House; Britannia swoons on the left and a devil views the scene with glee on right

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Media ID 15169324

© London Metropolitan Archives (City of London) / Heritage-Images

Amused Britannia Business Coffee House Conversation Conversing Devil Discussing Discussion Foreigner Georgian Laughing Laughter Meeting Meeting Place Neal Shocked Swooning Xenophobia Allegorical Figure


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> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Museums > British Library


EDITORS COMMENTS
This print captures the lively atmosphere of Jonathans Coffee House in London, back in 1763. The artist, HO Neal, skillfully portrays the bustling scene with a touch of satire and allegory. In this caricature-like depiction, we see a group of foreigners engrossed in a business discussion while seated at the coffee house. Meanwhile, Britannia can be seen swooning on the left side of the image, symbolizing Britain's dominance during that era. On the right side, a devil observes the scene with glee, perhaps representing some underlying mischief or skepticism towards foreign involvement. The etching showcases not only an important meeting place for men but also serves as an intriguing commentary on xenophobia prevalent during that time period. The exaggerated expressions on various characters' faces range from amusement to shock and laughter – capturing their animated conversation and adding depth to this historical snapshot. Preserved by Guildhall Library and Art Gallery today, this artwork offers us a glimpse into 18th-century London society where coffee houses played significant roles as hubs for intellectual exchange and commerce. Despite its monochrome nature, Neal's work manages to convey both intricate details and broader concepts through his skilled use of lines and shading.

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