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King of Italy (Itaria kokuo), from the series "People of Barbarian Nations"
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King of Italy (Itaria kokuo), from the series "People of Barbarian Nations"
King of Italy (Itaria kokuo), from the series " People of Barbarian Nations (Bankoku jinbutsu zue)", 1861. In 1861, Victor Emmanuel II became the first king of a united Italy
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Media ID 24376439
© Heritage Art/Heritage Images
Breeches Britches Emmanuel Ii Victor Hoon Ichieisai Isseisai Ittensai King Of Italy King Of Piedmont Sardinia King Victor Emmanuel Ii Koko Mankichi Portraitarts Of Asia Throne Utagawa Yoshitsuya Victor Emmanuel Ii Victor Emmanuel Ii King Of Italy Vittorio Emanuele Vittorio Emanuele Ii West Western Westerner Yokohama Yokohama E Yoshitsuya Yoshitsuya Utagawa Colour Woodblock Print Oban
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EDITORS COMMENTS
King of Italy (Itaria kokuo), from the series "People of Barbarian Nations" (Bankoku jinbutsu zue)", a captivating 19th-century woodblock print by Yoshitsuya, showcases the regal presence of Victor Emmanuel II. This remarkable artwork transports us to a time when Italy was unified under his reign in 1861. In this portrait, King Victor Emmanuel II exudes power and authority as he sits upon his majestic throne. His bearded countenance reflects wisdom and strength, symbolizing his role as the first king of a united Italy. The artist's meticulous attention to detail is evident in every aspect, from the intricate patterns on his clothing to the fine lines that define his facial features. Yoshitsuya's mastery of color woodblock printing brings vibrancy and life to this historical piece. The rich hues highlight the opulence associated with European monarchs during that era. Through this artwork, we gain insight into both Italian history and Japanese artistic techniques. This print serves as a testament to the cultural exchange between Japan and Europe during the Edo period. It exemplifies how artists like Yoshitsuya skillfully incorporated foreign subjects into traditional ukiyo-e prints while maintaining their unique style. Displayed at the Art Institute Chicago, this masterpiece offers viewers an opportunity to appreciate not only its aesthetic beauty but also its historical significance. As we gaze upon King Victor Emmanuel II through Yoshitsuya's lens, we are reminded of an important chapter in Italian history – one where unity triumphed over division.
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