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The Lady Riding and the Landsknecht, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
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The Lady Riding and the Landsknecht, c. 1497. Creator: Albrecht Dürer (German, 1471-1528)
The Lady Riding and the Landsknecht, c. 1497. At first the subject of this early print appears to be simple courtly love; in it a noblewoman and infantryman share a private moment of farewell. However, a deeper reading of the image suggests underlying themes related to the power of women. Although the young mans stance and weaponry establish his masculinity, the womans higher social status and physical position on horseback allude to her authority over him. Further, the hat she wears belongs to her lovers costume, not to contemporary womens fashion. Her appropriation of his clothing combined with his delicate touch and forlorn gaze creates an instance of role reversal, indicating that she holds the power in this romantic situation
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Media ID 19644675
© Heritage Art/Heritage Images
1471 1528 Albrecht Durer Albrecht Dürer German Late 15th Early 16th Century
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EDITORS COMMENTS
The Lady Riding and the Landsknecht, c. 1497: A Deeper Look into Power Dynamics". In this print by Albrecht Dürer, titled "The Lady Riding and the Landsknecht" a seemingly ordinary scene of courtly love unfolds. At first glance, it portrays a noblewoman bidding farewell to an infantryman in an intimate moment. However, upon closer examination, hidden themes emerge that shed light on the power dynamics at play. While the young man's stance and weaponry project his masculinity, it is the woman who holds higher social status and physical authority as she confidently sits atop her horse. Her position symbolizes her control over him, challenging traditional gender roles of the time. Notably, she wears a hat belonging to her lover's costume rather than conforming to contemporary women's fashion. This act of appropriating his clothing combined with his tender touch and longing gaze creates a striking role reversal. It becomes evident that she wields power in this romantic situation. Albrecht Dürer masterfully captures these underlying themes through intricate engravings during Germany's late 15th to early 16th century Renaissance period. The print now resides in The Cleveland Museum of Art as part of their esteemed collection. "The Lady Riding and the Landsknecht" invites viewers to delve beyond surface appearances and explore complex dynamics between genders during this historical era. It serves as a testament to Dürer's ability to convey profound messages through artistry while highlighting women's agency amidst societal norms.
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