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Lamentation, c. 1620. Creator: Jacopo Palma

Lamentation, c. 1620. Creator: Jacopo Palma


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Lamentation, c. 1620. Creator: Jacopo Palma

Lamentation, c. 1620

Heritage Images features heritage image collections

Media ID 20769191

© Heritage Art/Heritage Images

Crown Of Thorns Dead Dead Body Il Giovane Jacopo Palma Jacopo Palma Jacopo Palma Il Giovane Jacopo Palma The Younger Lamentation Mary Magdalen Mary Magdalene Mourner Mourners Mourning Old Master Palma Giovane Palma Il Giovane Jacopo Palma Jacopo Stigmata Nakedness Nudity Parenting


EDITORS COMMENTS
This print showcases Jacopo Palma's masterpiece, "Lamentation" created around 1620. The painting, belonging to the 17th-century heritage art collection, beautifully depicts a poignant scene from the New Testament. In this emotional portrayal of grief and mourning, Jesus Christ's lifeless body lies in the foreground while surrounded by his devoted followers. Palma's exceptional talent is evident in his meticulous attention to detail and masterful use of color. The oil on canvas technique brings depth and richness to every stroke, enhancing the overall impact of the artwork. The composition features various figures including Mary Magdalene, Virgin Mary, mourners, and saints who express their sorrow over Jesus' death. The artist skillfully captures both male and female characters as they grieve for their beloved savior. Their expressions convey profound sadness mixed with reverence for Jesus' sacrifice. A crown of thorns rests upon his head symbolizing his crucifixion and ultimate sacrifice for humanity. Displayed at the National Gallery of Art Washington, this piece exemplifies Palma Il Giovane's contribution to Italian Renaissance art. It serves as a powerful reminder of religious devotion during the seventeenth century. Through this print reproduction by Heritage Images, viewers can appreciate Palma's mastery even if unable to witness it firsthand at an art gallery or center. This image transcends time and allows us to reflect on themes such as family bonds, motherhood depicted through Virgin Mary’s presence beside her deceased son – highlighting universal emotions that

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