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The Little White Girl, 1864, (1935). Creator: James Abbott McNeill Whistler
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The Little White Girl, 1864, (1935). Creator: James Abbott McNeill Whistler
The Little White Girl, 1864, (1935). Young woman holding a Japanese fan, wearing a wedding ring. Her reflection in the mirror looks sadder and more careworn than she appears in profile. The model was Joanna Hiffernan (c1843-after 1903), the painters mistress. The setting is the house that they shared in Lindsey Row, Chelsea. Symphony in White, No. 2: The Little White Girl, painting in the Tate Gallery, London. From " Modern Masterpieces", Part 8. [George Newnes Ltd, London, 1935]
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Media ID 18776142
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A Mcneill Whistler George Newnes George Newnes Ltd Ireland Irish Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Joanna Joanna Hiffernan Mantelpiece Mirror Mistress Model Modern Masterpieces Newnes Reflected Reflection Thoughtful Vase Wedding Wedding Ring Whistler
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The Little White Girl, 1864
EDITORS COMMENTS
is a captivating print that captures the essence of melancholy and introspection. Created by the renowned artist James Abbott McNeill Whistler, this piece showcases a young woman holding a delicate Japanese fan while wearing a wedding ring. The model in the photograph is Joanna Hiffernan, who was not only Whistler's muse but also his mistress. The setting of the photograph is their shared house in Lindsey Row, Chelsea, which adds an intimate touch to the composition. What makes this image truly intriguing is the reflection of the young woman in the mirror. Her mirrored self appears sadder and more careworn than she does in profile, hinting at hidden emotions and inner turmoil. Whistler's use of color and light further enhances the mood of contemplation within this piece. The white dress worn by Joanna symbolizes purity and innocence, contrasting with her somber expression. A vase filled with flowers adds a touch of nature to the scene while emphasizing themes of transience and beauty. This particular print comes from "Modern Masterpieces" published by George Newnes Ltd in 1935. It serves as a testament to Whistler's mastery as an artist during both the 19th century when it was painted and its subsequent recognition into the 20th century. Overall, "The Little White Girl" invites viewers into a world where beauty meets sadness—a moment frozen in time that continues to captivate audiences today.
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