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Madame Masse, c1750s, (1908). Creator: Unknown

Madame Masse, c1750s, (1908). Creator: Unknown


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Madame Masse, c1750s, (1908). Creator: Unknown

Madame Masse, c1750s, (1908). Portrait of Marie-Catherine Masse, nee Dufloquet de Reals (1724-1793). Photogravure after a pastel by Maurice-Quentin de La Tour. From " La Revue De L Art - Ancien et Moderne" - Volume XXIV, July-December 1908, [Paris, 1908]

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Media ID 19667689

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Bonnet Catherine Comte Comte Jules De La Tour De La Tour Maurice Quentin Delatour Delatour Maurice Quentin Georges Heliogravure Jules Jules Comte La Revue De Lart La Tour La Tour Maurice Quentin De Madame Maurice Maurice Quentin Maurice Quentin De Maurice Quentin De La Maurice Quentin De La Tour Muff Petit Photogravure Quentin De La Tour Quentin De La Tour Maurice Tour Tour Maurice Quentin De La Accessories Accessory Masse


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Madame Masse, c1750s (1908) - A Captivating Glimpse into the 18th Century

EDITORS COMMENTS
. This exquisite print captures the timeless beauty of Madame Masse, a woman who lived during the 18th century. Created by an unknown artist in 1908, this photogravure is based on a pastel portrait by Maurice-Quentin de La Tour. Marie-Catherine Masse, nee Dufloquet de Reals (1724-1793), is portrayed with elegance and grace. Her attire reflects the fashion trends of her time – she wears a stunning dress adorned with lace and accessorized with a fur muff and bonnet. The attention to detail in her clothing showcases the craftsmanship prevalent during that era. The composition of this photograph exudes sophistication as Madame Masse holds a book delicately in her hand. It hints at her intellectual pursuits and love for literature, adding depth to her character beyond mere appearance. Displayed against a neutral background, this portrait allows us to focus solely on Madame Masse's captivating presence. Her serene expression suggests both confidence and poise. Originally featured in "La Revue De L Art - Ancien et Moderne". Volume XXIV from July-December 1908, this image offers us an intriguing glimpse into French society during the 18th century. It was likely commissioned by Georges Petit Galleries or Comte Jules Comte for their esteemed collection. As we admire this remarkable piece of artistry bridging two centuries – the 18th and early 20th – we are reminded of how timeless beauty can transcend time itself.

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