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The Madonna of the Cat ( La Madonna del Gatto ), c1575, (1906). Artist: Anthony Cardon
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The Madonna of the Cat ( La Madonna del Gatto ), c1575, (1906). Artist: Anthony Cardon
The Madonna of the Cat ( La Madonna del Gatto ), c1575. After Federico Barocci (c1533-1612). Painting held in The National Gallery, London. From The Connoisseur Volume XVI [Otto Limited, London, 1906.]
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Media ID 14960910
© The Print Collector
Anthony Antoine Antoine Cardon Barocci Cardon Cats Child Care Childcare Federico Federico Barocci Federigo Barocci Feline Felines National Gallery Saint Joseph Saint Mary St Joseph St Mary Stella Maris The Connoisseur The Virgin Mary Virgin Mother Anthony Cardon Mother Of God
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The Madonna of the Cat (La Madonna del Gatto)
EDITORS COMMENTS
is a captivating print that beautifully captures the essence of religious devotion and tender maternal love. Created by Anthony Cardon in 1906, this artwork is based on an original painting by Federico Barocci from the late 16th century. In this enchanting scene, we see the Virgin Mary cradling baby Jesus while a playful cat curiously observes them. The composition exudes tranquility as Mary gazes lovingly at her child, embodying the epitome of motherhood. The presence of animals adds an element of purity and innocence to the image, symbolizing harmony between all living creatures. The artist's attention to detail is evident in every stroke, bringing life to each character portrayed. The vibrant colors and intricate textures create a sense of depth and realism that draws viewers into this sacred moment. Displayed within London's prestigious National Gallery, "The Madonna of the Cat" has become a beloved masterpiece admired by art enthusiasts worldwide. Its timeless beauty transcends centuries and continues to inspire awe today. This remarkable print serves as a reminder of faith, compassion, and familial bonds that resonate with people from all walks of life. It encapsulates both religious symbolism and human emotion in one harmonious composition—a testament to Cardon's skillful interpretation of Barocci's original work.
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