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Madonna and Child with Saints Jerome and Agnes, ca. 1465. Creator: Giovanni di Paolo
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Madonna and Child with Saints Jerome and Agnes, ca. 1465. Creator: Giovanni di Paolo
Madonna and Child with Saints Jerome and Agnes, ca. 1465
Heritage Images features heritage image collections
Media ID 19845499
© Heritage Art/Heritage Images
Cardinal Giovanni Dal Poggio Giovanni Di Giovanni Di Paolo Giovanni Di Paolo Di Grazia Gold Ground Gold Leaf Madonna And Child Paolo Paolo Giovanni Di Saint Jerome St Jerome Tempera On Wood Virgin And Child Parenting Roman Catholicism Tempera
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EDITORS COMMENTS
This print captures the essence of Giovanni di Paolo's masterpiece, "Madonna and Child with Saints Jerome and Agnes" created around 1465. The painting, which belongs to the 15th century Renaissance period, showcases a serene Madonna holding baby Jesus in her arms while surrounded by saints. The artist's meticulous attention to detail is evident in every brushstroke, as he skillfully depicts the delicate features of each figure. The use of gold leaf on a richly colored background adds an ethereal glow to the scene, emphasizing its religious significance. In this portrayal of motherhood and divinity intertwined, Madonna epitomizes both maternal love and spiritual devotion. Her gentle expression exudes warmth and tenderness towards her precious child. Meanwhile, Saint Jerome stands beside them in his cardinal robes symbolizing his role as a prominent figure within Catholicism. Saint Agnes completes the ensemble with her graceful presence, representing purity and martyrdom. Together with Madonna and Child, they form a harmonious composition that invites viewers into a world where faith intersects with artistry. Displayed at The Metropolitan Museum of Art (The Met), this artwork serves as a testament to Giovanni di Paolo's mastery in tempera on wood technique. It transports us back to 15th-century Italy when religion played an integral part in people's lives. As we gaze upon this remarkable piece from Heritage Images' collection without commercial intent but purely for appreciation purposes, we are reminded of the enduring power that religious art holds over our hearts and
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