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Magisterial oeconomy... 1779. Artist: John Nixon
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Magisterial oeconomy... 1779. Artist: John Nixon
Magisterial oeconomy... 1779. A reception at Mansion House. The clock shows it to be midnight, and the Lord Mayor directs the footmen to extinguish the candles with bellows and snuffers. A satire on the parsimony of Lord Mayor Plumbe during his mayoralty
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Media ID 15169226
© London Metropolitan Archives (City of London) / Heritage-Images
Civic Event Footman Game Georgian John Nixon Lord Mayor Of London Mansion House Nixon Playing Cards Reception Samuel Servant Metaphor Pastime Plumbe
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Magisterial Oeconomy. . . 1779 - A Satirical Glimpse into Lord Mayor Plumbe's Mayoralty
EDITORS COMMENTS
. This intriguing photo print, captured by the talented artist John Nixon in the 18th century, takes us back to a memorable reception at Mansion House. The scene unfolds as midnight strikes, with the clock serving as a reminder of time passing. In this satirical portrayal, we witness Lord Mayor Plumbe directing his footmen to extinguish the candles using bellows and snuffers. The artwork cleverly mocks Lord Mayor Plumbe's reputation for parsimony during his mayoralty. It humorously highlights his frugal nature through this seemingly mundane task of saving candle wax. As guests engage in various pastimes such as playing cards and engaging in lively conversations, it becomes evident that even their enjoyment is overshadowed by Plumbe's obsession with thriftiness. The image captures an array of characters dressed in elegant Georgian costumes, representing different professions and social classes. Women elegantly adorned in period attire mingle alongside men who serve as footmen or indulge themselves in games. This gathering symbolizes both a civic event and a metaphorical commentary on society's preoccupation with wealth preservation. Preserved within the archives of Guildhall Library and Art Gallery, this etching offers us a glimpse into English history during the eighteenth century. It serves as a testament to art's ability to capture not only physical appearances but also societal nuances and political satire.
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