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Man with swords, and man with a lantern, 1681, (1924). Creator: Hishikawa Moronobu
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Man with swords, and man with a lantern, 1681, (1924). Creator: Hishikawa Moronobu
Man with swords, and man with a lantern, 1681, (1924). From the " Wakoku Shoshoku Edzukushi" (Collection of Pictures of Various Occupations in Japan) by Moronobu, [1681]. Published in " Block Printing & Book Illustration in Japan", by Louise Norton Brown. [George Routledge & Sons, Ltd. E. P. Dutton & Co. London & New York, 1924]
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Media ID 19050248
© The Print Collector/Heritage Images
Dutton Dutton And Co Dutton And Company E P Dutton George And Sons Limited George Routledge And Sons Limited Hishikawa Hishikawa Moronobu Kichibe Hishikawa Lantern Louise Norton Louise Norton Brown Routledge Calligraphy Kimono Moronobu
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EDITORS COMMENTS
This photo print, titled "Man with swords, and man with a lantern" was created by Hishikawa Moronobu in 1681 but published in 1924 as part of the "Wakoku Shoshoku Edzukushi" collection. The image showcases the artistic brilliance of Moronobu during Japan's Edo period. In this scene, two figures are depicted against a monochrome background. On the left stands a formidable man wielding swords, exuding strength and power. His intense gaze suggests he is prepared for battle or defending his honor. On the right stands another figure holding a lantern, providing light amidst darkness. This contrast between aggression and illumination creates an intriguing visual narrative. The attention to detail in their clothing reflects the fashion trends of seventeenth-century Japan, showcasing traditional kimono attire worn by both men and women during that era. The woodblock printing technique used adds depth to their garments while emphasizing intricate patterns. Moronobu's mastery of calligraphy is evident through delicate brushstrokes that bring life to each character portrayed in this artwork. Through his skillful execution, he captures not only physical attributes but also conveys emotions and stories within one frame. This remarkable piece transports viewers back in time to experience Japanese culture from centuries ago. It serves as a testament to Moronobu's contribution to ukiyo-e art form—a genre known for its depictions of everyday life—and highlights his significant influence on subsequent generations of artists.
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