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The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who... 1929. Creators: Unknown, Michael Furter, Wilhelm Ludwig Schreiber
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The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who... 1929. Creators: Unknown, Michael Furter, Wilhelm Ludwig Schreiber
The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who Presumed Much but Did Little (verso) from Fabulae et Vita (Fables and Life), Plate 26 from Woodcuts from Books of the 15th Century, c. 1500, portfolio assembled 1929
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Media ID 36197680
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Aesop Aesops Fables Aesopus Moralisatus Augsburg Fable Fables Letterpress Page Portfolio Schreiber Wilhelm Ludwig Wilhelm Ludwig Schreiber Laid Paper
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EDITORS COMMENTS
This image is a print of two woodcuts, The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who Presumed Much but Did Little (verso), taken from the portfolio "Fabulae et Vita" (Fables and Life), Plate 26, assembled by Michael Furter and Wilhelm Ludwig Schreiber in 1929. The prints are based on 15th-century originals, showcasing the rich heritage of European art and literature. The Man Who Preached to the Reeds, on the recto side, depicts a man in a simple robe, standing in a rural setting and addressing the reeds as if they were people. The scene is a visual interpretation of the ancient fable of Aesop, where the man, believing himself to be wise, tries to teach inanimate objects, ultimately realizing the futility of his actions. On the verso, The Armed Noble Who Presumed Much but Did Little, portrays a well-equipped knight, seemingly arrogant and idle, with his back turned to the viewer. The image is a representation of another Aesop's fable, where the nobleman, despite his wealth and power, fails to accomplish anything meaningful due to his pride and laziness. These prints, with their intricate details and bold contrasts, are a testament to the enduring appeal of Aesop's fables and their timeless moral messages. The artistry of Michael Furter and Wilhelm Ludwig Schreiber, as well as the historical significance of the 15th-century originals, make these prints an essential addition to any art collection or exhibition, showcasing the depth and richness of European art and literature from the past and the present.
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