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A Man and a Woman seated by a Virginal, c1649-1667. Artist: Gabriel Metsu

A Man and a Woman seated by a Virginal, c1649-1667. Artist: Gabriel Metsu


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A Man and a Woman seated by a Virginal, c1649-1667. Artist: Gabriel Metsu

A Man and a Woman seated by a Virginal, c1649-1667. Located in the collection at, National Gallery, London

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Media ID 14874848

© Art Media / Heritage-Images

Document Floor Gabriel Gabriel Metezu Gabriel Metse Gabriel Metsu Gabriel Metsue Gabriel Metz Gabriel Metza Gabriel Metzer Gabriel Metzu Gabriel Metzur Gabriel Mitzu Harpsichord Living Room Metsu Talking Tiled Virginal Baroque Era Print Collector4


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EDITORS COMMENTS
In this 17th-century portrait, artist Gabriel Metsu captures a tender moment between a man and a woman seated by a virginal. The scene is set in an elegant Dutch interior, with tiled floors and glass windows allowing soft daylight to flood the room. Dressed in richly detailed clothing of the era, the couple engages in conversation while surrounded by musical instruments. The focal point of the painting is undoubtedly the virginal, a type of harpsichord popular during the Baroque period. The woman delicately holds her hand on its keys, suggesting her affinity for music. Metsu's attention to detail is evident as he masterfully renders every intricate element of this intimate setting. The composition exudes harmony and tranquility, inviting viewers into this private space where artistry and love intertwine. The warm color palette adds depth to their expressions and enhances their connection. This print transports us back to 17th-century Holland, offering us a glimpse into domestic life during that time. It serves as both an artistic document capturing historical dress and customs while also evoking emotions that transcend time. Displayed at London's National Gallery, "A Man and a Woman seated by a Virginal" showcases Metsu's talent for portraying human relationships within meticulously crafted interiors. This piece stands as an enduring testament to his skill as one of the leading painters of his generation.

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