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The March to Finchley, 1745. Artist: Luke Sullivan
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The March to Finchley, 1745. Artist: Luke Sullivan
The March to Finchley, or A representation of the march of the guards towards Scotland in the year 1745 ; showing the Tottenham Court turnpike at the intersection with Euston Road, with the guards about to go north to defeat Bonnie Prince Charlie
Heritage Images features heritage image collections
Media ID 15167070
© London Metropolitan Archives (City of London) / Heritage-Images
Bonnie Prince Charlie Camden Charles Edward Charles Edward Stuart Drum Drummer Euston Road Grief Guard Hogarth Inn Sign Luke Luke Sullivan March Mirth Prince Charles Edward Stuart Sullivan The Great Pretender The Young Pretender Tottenham Court Road Turnpike W Hogarth William Hogarth Roman Catholicism
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The March to Finchley, 1745
EDITORS COMMENTS
by Luke Sullivan captures a pivotal moment in history as the guards prepare to embark on their journey towards Scotland. This print, dating back to the 18th century, showcases the intersection of Tottenham Court turnpike and Euston Road in London. In this scene, we witness the solemnity and determination etched on the faces of these uniformed soldiers. The artist skillfully portrays both mirth and grief as they march forward with musical instruments in hand. A drummer sets the rhythm for their steps while symbolizing the martial spirit that drives them. The significance of this march lies in its purpose: to quell Bonnie Prince Charlie's rebellion led by Charles Edward Stuart. As Roman Catholicism played a central role during this time, religious undertones are subtly depicted through various symbols scattered throughout the artwork. Luke Sullivan's engraving not only serves as a historical record but also offers a satirical commentary on politics and warfare during that era. It is evident from his attention to detail that he was influenced by William Hogarth's style. This image can be found at Guildhall Library and Art Gallery in Camden, London. Its monochrome aesthetic adds an air of authenticity, transporting viewers back to an age where weapons were wielded for political gain and battles were fought against pretenders like Bonnie Prince Charlie - forever immortalized through artistry such as Luke Sullivan's masterpiece.
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