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Maria Eleonora, 1599-1655, Princess of Brandenburg, Queen of Sweden, married to... 1619. Creator: Unknown
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Maria Eleonora, 1599-1655, Princess of Brandenburg, Queen of Sweden, married to... 1619. Creator: Unknown
Maria Eleonora, 1599-1655, Princess of Brandenburg, Queen of Sweden, married to King Gustav II Adolf, 1619
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Media ID 36370207
© Heritage Art/Heritage Images
Affluence Brandenburg Cuff Cuffs Earring Earrings Gown Gustav Adolf Gustav Ii Adolf Gustav Ii Adolph Gustavus Adolphus Gustavus Adolphus King Of Sweden Gustavus Adolphus Of Sweden Gustavus Adolphus The Great Gustavus Ii Adolphus Historic Figure Historical Person King Gustavus Adolphus King Gustavus Adolphus Of Sweden Lace Collar Maria Eleonora Of Brandenburg Michiel Jansz Van Miereveld Michiel Jansz Van Miereveldt Michiel Jansz Van Mierevelt Michiel Janszoon Van Mierevelt Michiel Miereveldt Michiel Van Miereveld Michiel Van Mierevelt Miereveld Michiel Jansz Van Miereveld Michiel Van Miereveldt Michiel Miereveldt Michiel Jansz Van Mierevelt Michiel Jansz Van Mierevelt Michiel Van Mirevelt Necklace Pearl Pearl Earring Pearl Earrings Pearl Necklace Pearls Princess Queen Of Sweden Van Miereveld Michiel Jansz Van Mierevelt Michiel Wealth Wealthy Hairdressing Ladieswear National Museum Sweden Nationalmuseum Sweden Stockholm National Museum Womens Wear Womenswear
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EDITORS COMMENTS
This exquisite 17th century portrait captures Maria Eleonora of Brandenburg, Princess of Brandenburg and later Queen of Sweden, on the occasion of her marriage to King Gustav II Adolf in 1619. The image, created by an unknown artist, showcases the opulence and grandeur of the Baroque era. Maria Eleonora's elegant attire is adorned with intricate lace collars and cuffs, as well as ornate jewelry, including earrings and a pearl necklace. Her hair is styled in an elaborate hairstyle, with a voluminous curled wig and a delicate hairpiece adorned with pearls and feathers. The rich colors and textures of her gown, with its long sleeves and full skirt, add to the regal and majestic appearance of the portrait. The background, with its ornate decorative elements, further emphasizes the wealth and status of the subjects. This portrait, believed to have been painted by Michiel Janszoon van Mierevelt or his studio, is a testament to the heritage art and fashion of the Baroque era and the legacy of these historic figures.
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