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Marriage a la Mode. Plate IV: The Toilette, 1745. Creator: Hogarth, William (1697-1764)
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Marriage a la Mode. Plate IV: The Toilette, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate IV: The Toilette, 1745. Private Collection
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Media ID 36196261
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Abundance Affianced Affluence Betrothal Betrothed Bride Bridegroom Cornucopia Depts Engaged To Be Married English Painting Great Britain Groom Hogarth Luxuriancy Marriage A La Mode Marriage Contract Matrimony Money Notary Notarys Office Opulence Prosperity Riche Riches Richness Sinful Stinginess Wealth Wealthiness Wedding Wedlock William 1697 1764 Copper Engraving Lawyer
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EDITORS COMMENTS
Marriage à la Mode: Plate IV, The Toilette, is an iconic masterpiece by the renowned English painter and satirist, William Hogarth. Created in 1745, this copper engraving is the fourth plate in Hogarth's series of eight, which provides a scathing commentary on the excesses and follies of the English aristocracy. In this plate, we see the affianced couple, the bride and groom, engaged in their separate preparations for their upcoming betrothal. The bride, adorned in an abundance of luxurious fabrics and jewels, is being assisted by her ladies-in-waiting in her opulent chamber. The groom, a lawyer, is seen in the notary's office, signing the marriage contract, surrounded by piles of papers and coins, symbolizing the depts and wealth that come with matrimony. The allegory of this plate is multi-layered, with references to mythology, literature, and satire. The cornucopia, a symbol of prosperity, is depicted in the background, emphasizing the affluence and wealth that the couple is about to enjoy. However, the sinful indulgence and stinginess of the aristocracy are also highlighted, with the bride's extravagant toilette contrasting sharply with the groom's preoccupation with money and legal formalities. This plate, like the rest of the series, is a brilliant commentary on the societal norms and expectations of the time, and continues to be a source of fascination for art lovers and scholars alike. The richness and detail of the image, captured in this fine art print, transport us back to the opulent world of 18th-century England, providing a glimpse into the world of the affluent and the sinful.
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