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The marriage trap: an allegory of marriage, 1647. Creator: Hendrik Noorderwiel
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The marriage trap: an allegory of marriage, 1647. Creator: Hendrik Noorderwiel
The marriage trap: an allegory of marriage, 1647
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Media ID 36340220
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Amorini Angelic Celebrating Celebration Celebrations Cherubim Cherubs Domestic Domestic Life Environs Fight Household Outskirts Public Trap Witness Putti
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EDITORS COMMENTS
The Marriage Trap: An Allegory of Marriage," painted by Hendrik Noorderwiel in 1647, is a captivating oil on panel masterpiece from the Netherlands that encapsulates the complexities and contradictions of marriage during the 17th century. The painting depicts an allegorical scene set in an idyllic outdoor environment, where a young couple, dressed in their finest attire, is about to exchange vows in the presence of cherubs and other amorini. The joyous celebration is juxtaposed with the ominous presence of a large, menacing trap, which looms behind the couple, symbolizing the potential dangers and challenges that lie ahead in married life. The painting's rich color palette and intricate details highlight the contrasting emotions of love, joy, and fear. The couple, surrounded by a group of men and women, appears to be embracing the domestic life and the blessings of family, while the fighting putti and putto in the painting's foreground hint at the potential for conflict and strife. The painting's exterior setting, with its picturesque town and lush greenery, adds to the sense of celebration and the passing of tradition. Noorderwiel's masterful use of oil painting techniques and his attention to detail bring the allegorical scene to life, making it a valuable addition to the heritage art of the Low Countries. The painting's enduring appeal lies in its ability to capture the complexities of marriage and the human experience, making it a must-see for art enthusiasts and historians alike. The Rijksmuseum in Amsterdam, Netherlands, is home to this stunning work of art, which continues to inspire and intrigue visitors from around the world.
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