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Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
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Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
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Media ID 14945113
© The Print Collector / Heritage-Images
Hands Together Ja Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneill James Mcneill Whistler Maude Menpes Model Mortimer L Mortimer L Menpes Mortimer Menpes Tonalism Whistler Work Of Art Artistic Movement Print Collector8
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EDITORS COMMENTS
This print titled "Maude, Seated, 19th century (1904)" captures the essence of the artistic movement in the early 20th century. Created by renowned artist James Abbott McNeill Whistler, this first state etching with full face showcases his mastery of tonalism. The image portrays a woman named Maude seated gracefully in a fashionable dress that epitomizes the style of the late 19th century. With her hands delicately clasped together, she exudes an air of elegance and poise. Her direct gaze engages viewers, inviting them to delve into her world. Whistler's attention to detail is evident in every aspect of this work of art. From Maude's intricate attire to her serene expression, he skillfully brings out her beauty through monochrome tones. The use of etching techniques adds depth and texture to the portrait, further enhancing its visual appeal. This print was taken from Whistler As I Knew Him by Mortimer Menpes and published by Adam and Charles Black in London in 1904. Menpes was not just a collaborator but also an admirer of Whistler's talent. As we admire this remarkable piece from one master artist to another, it serves as a testament to both Whistler's artistic prowess and Menpes' ability to capture his subject with finesse. This timeless artwork continues to captivate audiences even today as it stands as a testament to the enduring power
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