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The Mayor of Casterbridge. Don't cry--Don't cry. By Thomas Hardy, 1886. Creator: Robert Barnes

The Mayor of Casterbridge. Don't cry--Don't cry. By Thomas Hardy, 1886. Creator: Robert Barnes


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The Mayor of Casterbridge. Don't cry--Don't cry. By Thomas Hardy, 1886. Creator: Robert Barnes

The Mayor of Casterbridge. Don't cry--Don't cry. By Thomas Hardy, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

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Media ID 36242045

© The Print Collector/Heritage Images

Barnes Robert Comforting Consolation Consoling Crying Fiction Hardy Thomas Robert Barnes Sadness The Mayor Of Casterbridge Thomas Hardy Unhappiness Unhappy Weeping


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> Historic > Victorian era fashion


The Mayor of Casterbridge - Don't cry--Don't cry,

EDITORS COMMENTS
is a poignant and evocative image from the pages of "The Graphic: An Illustrated Weekly Newspaper," published in January to June of 1886. The photograph, created by renowned English illustrator Robert Barnes, brings to life a scene from Thomas Hardy's novel of the same name. The image captures the moment of consolation between the Mayor of Casterbridge, a man worn down by the weight of his past mistakes and regrets, and a woman, likely his wife, who weeps in his arms. The scene is set in the English countryside, with the Mayor's somber, Victorian-era attire contrasting sharply against the lush greenery and rolling hills in the background. The image is a powerful representation of the theme of unhappiness and the human need for comfort and consolation in the face of sadness and regret. The Mayor's stern, yet compassionate expression speaks to his deep sense of remorse and his desire to ease the pain of his loved one. The woman, dressed in a flowing, turn-of-the-century gown, clings to him, her tears falling freely as she leans into his embrace. The image is a poignant reminder of the human capacity for both joy and sorrow, and the importance of finding solace in the midst of life's challenges. The engraving, with its intricate details and nuanced shading, is a testament to the artistry and skill of Robert Barnes, who masterfully brought this poignant scene to life for readers of "The Graphic" over a century ago.

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