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Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843. Creator: Utagawa Kuniyoshi. Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
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Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843. Creator: Utagawa Kuniyoshi. Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843
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Media ID 36208709
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Branches Duty Filial Piety Ichiyusai Kuniyoshi Kuniyoshi Utagawa Legend Legendary Utagawa Kuniyoshi Utagawa School Virtue Calligraphy Color Woodblock Print Oban
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Meng Zong, also known as Moso, is depicted in this striking 19th century color woodblock print by the renowned Japanese artist Utagawa Kuniyoshi. This print is part of the series
EDITORS COMMENTS
Twenty-four Paragons of Filial Piety as a Mirror for Children," created around 1843. The paragons of filial piety were legendary figures from Chinese and Japanese folklore who demonstrated exceptional devotion and love towards their parents. Meng Zong's story is one of deep sadness and filial duty. After his father's death, Meng Zong was left to care for his ailing mother. Despite living in poverty, he sold his own clothes to buy medicine for her. One day, while out gathering firewood, he came across a tree with branches heavy with snow. Unable to carry all the branches himself, he tied them to his mother's back and carried them home together. The mother, feeling the weight of the branches, believed her son had died and passed away in peace. Meng Zong, however, continued to care for her until her death. In this print, Meng Zong is shown wearing traditional Japanese clothing of the Edo period, including a kimono with intricate patterns and a wide-brimmed hat. The background is filled with branches and trees, symbolizing the harsh winter conditions and the heavy burden of filial duty. The artist's masterful use of color and calligraphy adds depth and texture to the image, making it a beautiful and poignant representation of the legend of Meng Zong and the importance of filial piety." This print is a valuable addition to any collection of Asian art, particularly those focusing on the Edo period or the theme of filial piety. It is an excellent example of the ukiyo-e artistic style and the mastery of Utagawa Kuniyoshi. The Art Institute of Chicago is fortunate to have this print in its collection, allowing us to appreciate and learn from the rich cultural heritage it represents.
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