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Mii Temple, from the series "Eight Views of Omi (Omi hakkei)"

Mii Temple, from the series 'Eight Views of Omi (Omi hakkei)'


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Mii Temple, from the series "Eight Views of Omi (Omi hakkei)"

Mii Temple, from the series " Eight Views of Omi (Omi hakkei)", early 19th century

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Media ID 24374930

© Heritage Art/Heritage Images

Hanji Hanjiro Manno Masayuki Pilgrim Pilgrims Ryukaen Ryuryukyo Ryuryukyo Shinsai Shinsai Shinsai Ryuryukyo Surimono Colour Woodblock Print


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> Architecture > Religious

> Architecture > Temples

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > S > Ryuryukyo Shinsai

> Asia > Japan > Related Images

> Popular Themes > Religious Images

> Religious Art > Religious Architecture > Temples

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print titled "Mii Temple, from the series 'Eight Views of Omi (Omi hakkei)', early 19th century" transports viewers to a bygone era in Japan. The image, created during the Edo period, showcases the exquisite artistry and architectural beauty that defined this time. The Mii Temple stands proudly amidst lush greenery and tranquil surroundings, its vibrant colors captured through the meticulous process of woodblock printing. This traditional technique brings depth and richness to every detail - from the intricate patterns on the temple's exterior to the delicate hues of nature surrounding it. As we gaze upon this artwork at the Art Institute of Chicago, we are transported back in time to witness a moment in Japanese history. The presence of pilgrims adds a sense of spirituality and reverence to the scene, reminding us that this temple was not only an architectural marvel but also a place for religious devotion. The artist behind this masterpiece is Shinsai Ryuryukyo, whose skillful hand brought life to each stroke and color choice. Through his work, he invites us on a journey through Japan's cultural heritage - inviting us to explore its rich artistic traditions while immersing ourselves in its natural beauty. This print serves as both an educational tool and an aesthetic delight for visitors at the Art Institute of Chicago. It reminds us that art has no boundaries or limitations; it transcends time and space, allowing us glimpses into different cultures and eras with just one glance.

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