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Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China... c1848/50 Creator: Utagawa Kuniyoshi. Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China
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Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China... c1848/50 Creator: Utagawa Kuniyoshi. Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China
Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50
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Media ID 36208761
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Chuban Cruelty Filial Piety Ichiyusai Isolated Kuniyoshi Kuniyoshi Utagawa Legend Legendary Neglect Stepmother Story Utagawa Kuniyoshi Utagawa School Virtue Calligraphy Color Woodblock Print Oban Stepson
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EDITORS COMMENTS
Min Ziqian, also known as Bin Shiken, is depicted in this stunning 19th century color woodblock print by the renowned Japanese artist Utagawa Kuniyoshi. This print is part of Kuniyoshi's series "Twenty-four Paragons of Filial Piety in China," which was created during the Edo period (1603-1868) and served as a mirror for children to learn about the importance of filial piety and respect for elders. Min Ziqian's story is a heart-wrenching tale of filial devotion and the cruelty of a neglectful stepmother. Orphaned at a young age, Min Ziqian was taken in by his maternal uncle, who raised him as his own son. However, when his uncle died, his stepmother, who despised him, drove him away from their home. With no family or support, Min Ziqian was left to fend for himself in the harsh farmland. Despite his difficult circumstances, he remained devoted to his mother's memory and continued to work hard on the fields, dreaming of one day being reunited with his family. This print captures the young boy in a moment of contemplation, surrounded by the rolling fields and isolated from the world around him. The use of bold colors and intricate calligraphy adds to the emotional depth of the image, highlighting the legend and literary significance of Min Ziqian's story. As a masterpiece of the Ukiyo-e artistic school, this print is a testament to the enduring power of storytelling and the importance of filial piety in Japanese culture. It is a must-see for anyone interested in Asian art, heritage, and the artistic traditions of the 19th century.
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