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The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese... c. 1833/34. Creator: Hokusai. The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese... c. 1833/34. Creator: Hokusai
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The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese... c. 1833/34. Creator: Hokusai. The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese... c. 1833/34. Creator: Hokusai
The Minister Toru (Toru no Otodo), from the series "Mirrors of Japanese and Chinese Poems (Shiika shashinkyo)", Japan, c. 1833/34
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Media ID 36220802
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9th Century Hokusai Hokusai Katsushika Hokusai Tokimasa Kako Katsushika Hokusai Lime Green Nagaban Poem Saki No Shiika Shashinkyo Shunrō Sorobeku Tatsumasa Zen No Color Woodblock Print Estuary
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EDITORS COMMENTS
The Minister Toru, or Toru no Otodo, is a captivating woodblock print from the series "Mirrors of Japanese and Chinese Poems" (Shiika shashinkyo) created by the renowned Japanese artist Hokusai, around 1833/34. This masterpiece showcases the rich cultural heritage of Japan during the Edo and Tokugawa periods. The print depicts three men, including the central figure, Minister Toru, who is identified by his title "Kawara no Sadaijin," sitting on the riverbank of an estuary. Toru is dressed in traditional Heian-era clothing, with a serene expression on his face as he recites a poem, his mouth slightly open to convey the act of speaking. The other two men, identified as Saki no and Sorobeku, are shown listening intently, their faces filled with concentration and respect. The vibrant color palette, dominated by lime green and other earthy tones, adds to the serene atmosphere of the scene. The use of color woodblock printing techniques brings the landscape to life, with the winding river, the mountains in the background, and the rich foliage creating a breathtaking backdrop. The title "Mirrors of Japanese and Chinese Poems" suggests that this print is not only a portrait of the Minister Toru but also a reflection of the literary and artistic traditions of Japan and China during this period. This print is a testament to Hokusai's artistic skill and his ability to capture the essence of Japanese culture and poetry in a single image. It is a valuable addition to any collection of Asian art and a reminder of the rich artistic heritage of Japan during the Edo and Tokugawa periods.
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