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Miss Macaroni and her gallant at a print shop, 1773. Artist: John Raphael Smith
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Miss Macaroni and her gallant at a print shop, 1773. Artist: John Raphael Smith
Miss Macaroni and her gallant at a print shop, 1773. Scene showing four people gazing at a print shop window, possibly 13 Cornhill. One points at the prints which are clearly delineated. Also showing a lady with a fan and a dog urinating against a mans leg. A macaroni was a British dandy who affected continental fashions
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Media ID 15169186
© London Metropolitan Archives (City of London) / Heritage-Images
Cornhill Dandy Discussing Discussion Georgian John Raphael John Raphael Smith Macaroni Macarony Mezzotint Pavement Pointing Print Shop Shop Window Sidewalk Smith Talking Unaware Urinating Window Shopping
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EDITORS COMMENTS
Miss Macaroni and her gallant immerse themselves in the vibrant atmosphere of a bustling print shop, captured by the talented artist John Raphael Smith in 1773. This delightful scene transports us back to an era when fashion and satire intertwined on the streets of London. As we gaze upon this print, our eyes are drawn to four individuals engrossed in animated conversation while peering through the window of what is believed to be 13 Cornhill. One gentleman eagerly points at the meticulously delineated prints displayed within, captivating his companions with their intricate details. Amidst this lively exchange, a lady adorned with an elegant fan adds a touch of grace to the scene. However, it is impossible not to notice a mischievous dog relieving itself against an unsuspecting man's leg – a humorous reminder that even amidst refined society, life's unexpected moments can still bring laughter. The term 'macaroni' was used during this period to describe British dandies who adopted continental fashions. These fashionable men and women were known for their extravagant clothing choices and penchant for discussing matters of style and taste. Smith masterfully captures both the essence of Georgian fashion as well as everyday life on these historic streets. Through his mezzotint technique, he immortalizes this momentary glimpse into 18th-century England - where satire meets street culture - forever preserving it for future generations.
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