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Mitsuyama, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Mitsuyama, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Mitsuyama, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Mitsuyama, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Mitsuyama, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Mitsuyama, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Mitsuyama, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24372165

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Bennosuke Tsukioka Drag Female Impersonator Female Impersonators Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Mask Masked Masks Meiji Era Meiji Period Nenkyu Sadanosuke Hanyu Sakamaki Kogyo Show Sock Socks Tabi Tsukioka Bennosuke Tsukioka Kogyo Colour Woodblock Print Playhouse


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EDITORS COMMENTS
The print titled "Mitsuyama, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" captures a mesmerizing moment in Japanese theatre history. Created by Kogyo Tsukioka during the Meiji era, this vibrant woodblock print showcases the artistry and allure of traditional Noh performances. In this scene, Mitsuyama, played by Hanyu Sadanosuke, takes center stage with his presence. Dressed in exquisite period clothing and donning an intricately designed mask, Mitsuyama embodies the essence of a female impersonator. The attention to detail is remarkable - from his colorful kimono to the delicate tabi socks he wears. Tsukioka's masterful use of color brings life to every aspect of this artwork. The rich hues evoke a sense of drama and mystery that is synonymous with Noh theatre. As we gaze upon Mitsuyama's full-length figure against a backdrop reminiscent of ancient Japan, we are transported into another world where tradition meets artistic expression. This piece not only celebrates the talent and skill of actors like Sadanosuke but also pays homage to the heritage and cultural significance of Noh theatre itself. It serves as a reminder that art has no boundaries when it comes to time or place – it transcends generations and continues to captivate audiences even today. Displayed proudly at the Art Institute Chicago, this woodblock print stands as a testament to Kogyo Tsukioka's mastery as an artist and offers us a glimpse into Japan's theatrical past through its vivid imagery.

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