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The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler
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The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler
The Model, Lying Down, c1864 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
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Media ID 14945119
© The Print Collector / Heritage-Images
Bedchamber Bedroom Ja Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneill James Mcneill Whistler Lying Down Menpes Model Mortimer L Mortimer L Menpes Mortimer Menpes Reclining Tonalism Touching Touching Face Whistler Work Of Art Artistic Movement Print Collector8
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EDITORS COMMENTS
This photo print, titled "The Model, Lying Down" takes us back to the 19th century and offers a glimpse into the world of artistry. Created by renowned artist James Abbott McNeill Whistler in 1864, this etching showcases his mastery of tonalism and his ability to capture the essence of a moment. In this intimate bedroom setting, we see a female model reclining on a bed, her delicate form gracefully touching her face. The monochrome palette adds depth and intensity to the scene, emphasizing the model's beauty and vulnerability. Whistler's attention to detail is evident as he meticulously portrays every curve and contour with precision. This work of art invites us into an artist's study where creativity flourishes. It serves as a testament to the importance of models in inspiring artists' visions and bringing their ideas to life. The model becomes both muse and subject, embodying femininity while also contributing her own unique presence. As we admire this print collector's treasure from Mortimer Menpes' book "Whistler As I Knew Him" we are transported back in time to witness Whistler's artistic genius firsthand. Through his skilled handiwork, he immortalizes not only the beauty of his subject but also captures an entire era within this single image. "The Model, Lying Down" stands as a testament to Whistler's legacy as one of history's most influential artists. It reminds us that even after more than
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