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The Monastery of Santa Saba (Mar Saba), Israel, 1841. Artist:s Bradshaw

The Monastery of Santa Saba (Mar Saba), Israel, 1841. Artist:s Bradshaw


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The Monastery of Santa Saba (Mar Saba), Israel, 1841. Artist:s Bradshaw

The Monastery of Santa Saba (Mar Saba), Israel, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

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Media ID 14942147

© The Print Collector / Heritage-Images

Allom Bradshaw Carne Cliff Cliffs Convent Holy Land Israel Israeli John Carne Monastery Mountainous Nunnery S Bradshaw Syria T Allom The Holy Land And Asia Minor Thomas Allom Biblical Mar Saba Monastery Print Collector7


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Thomas Allom

> Arts > Artists > S > Syrian Syrian

> Arts > Artists > W > John White

> Arts > Landscape paintings

> Asia > Israel > Related Images

> Asia > Related Images

> Asia > Syria > Related Images

> Europe > France > Canton > Landes

> Popular Themes > Religious Images


EDITORS COMMENTS
This print takes us back to the year 1841, capturing the serene beauty of The Monastery of Santa Saba (Mar Saba) in Israel. The artist, s Bradshaw, skillfully depicts this ancient Christian sanctuary nestled amidst a breathtaking landscape. Situated on a cliff in Asia Minor, this mountainous region adds an element of grandeur to the scene. The engraving showcases the architectural marvels of Mar Saba Monastery with intricate details that highlight its historical significance. As we gaze upon this monochrome image, we are transported to a bygone era where religion played a central role in shaping societies. The publication from which this print originates is "Syria, the Holy Land and Asia Minor" authored by John Carne and published by Fisher, Son & Co. in London. It serves as a valuable record of religious sites across various countries and continents during the 19th century. This print not only captures the physical location but also evokes emotions tied to spirituality and faith. Its depiction invites contemplation on Christianity's deep roots within these sacred lands. As we admire this remarkable piece of artistry by Thomas Allom under John Carne's guidance, let us appreciate its contribution to our understanding of history and geography. This photograph stands as a testament to human devotion while reminding us of the enduring power that religious landmarks hold over time.

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