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Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route (Saikoku junrei ichiban... 1858. Creator: Utagawa Kunisada)
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Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route (Saikoku junrei ichiban... 1858. Creator: Utagawa Kunisada)
Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route (Saikoku junrei ichiban Kishu Nachisan), from the series " The Miracles of Kannon (Kannon reigenki)", 1858
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Media ID 25325254
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Avalokiteshvara Avalokitesvara Bodhisattva Cartouche Colourful Gepparo Gototei Guan Yin Guanyin Ichiyosai Kannon Kii Province Kinraisha Kochoro Kuan Yin Kunisada Kunisada Utagawa Kunisada Utagawa I Miracle Miracles Of Kannon Miraculous Padmapani Pilgrimage Province Provincial Route Saikoku Shozo Toyokuni Iii Tsunda Shozo Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii Wakayama Honshu Japan Calligraphy Color Woodblock Print Oban
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EDITORS COMMENTS
This vibrant and captivating print, titled "Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route" is a masterpiece created by Utagawa Kunisada in 1858. Part of the series "The Miracles of Kannon" this artwork showcases the artist's exceptional talent and skill in woodblock printing. The scene depicts Mount Nachi, located in Kii Province, which holds great significance as the first stop on the Saikoku Pilgrimage Route. The mountain is beautifully portrayed with its lush greenery and towering presence against a backdrop of blue skies. The attention to detail is evident in every brushstroke, from the intricate calligraphy to the carefully crafted clothing worn by both men and women. Kunisada's portrayal of Avalokiteshvara (also known as Guanyin or Kannon), a bodhisattva associated with compassion and mercy, adds a spiritual element to this artwork. The deity stands gracefully amidst nature's splendor, radiating divine energy that captivates viewers. This print not only serves as an artistic representation but also provides insight into Japan's rich cultural heritage during the Edo period. It invites us to appreciate not only the beauty of nature but also our connection with spirituality. Displayed at the Art Institute of Chicago, this piece exemplifies Kunisada's mastery in capturing both physical landscapes and intangible emotions through his artistry. It serves as a reminder that art has no boundaries when it comes to expressing profound concepts such as faith, tradition, and natural wonders like Mount Nachi.
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