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The Mount of Olives, Israel, 1841. Artist: E Benjamin

The Mount of Olives, Israel, 1841. Artist: E Benjamin


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The Mount of Olives, Israel, 1841. Artist: E Benjamin

The Mount of Olives, Israel, 1841. From Syria, the Holy land and Asia Minor, volume III, by John Carne, published by Fisher, Son & Co. (London, 1841)

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Media ID 14942159

© The Print Collector / Heritage-Images

Benjamin Bentley Carne Grove Holy Land Israel Israeli Jerusalem John Carne Mount Of Olives Olive Olive Grove Olives Palestine Syria The Holy Land And Asia Minor Biblical Print Collector7


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Syrian Syrian

> Arts > Artists > W > John White

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Realistic drawings > Nature art > Landscape paintings

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Asia > Related Images


EDITORS COMMENTS
This print takes us back in time to the enchanting Mount of Olives in Israel, circa 1841. The artist, E Benjamin, skillfully captures the essence of this sacred location through intricate engraving techniques. As we gaze upon the image, our eyes are drawn to a lush olive grove that stretches as far as the eye can see. The landscape is teeming with life; each tree stands tall and proud, bearing witness to centuries of history and religious significance. This scene evokes a sense of tranquility and spirituality that is deeply rooted in Christianity and biblical lore. The Mount of Olives holds immense importance for believers around the world. It serves as a symbol of faith, resilience, and hope. Its mention in ancient texts further enhances its allure. Through this monochrome masterpiece, CJ Bentley pays homage not only to nature's beauty but also to the rich cultural heritage embedded within these lands. The print transports us back to an era when exploration was at its peak and curiosity about distant lands ran deep. As we delve into this historical artifact from John Carne's publication on Syria, the Holy Land, and Asia Minor (volume III), let us appreciate how it connects us with a bygone era while reminding us of the timeless splendor found within our natural surroundings.

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