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New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré
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New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré
New terror I conceived at the steep plunge, c1890. Dante and the Roman poet Virgil ride on the back of Geryon, the Monster of Fraud. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]
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Media ID 18910274
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Aligheri Alighieri Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Fear Flying Fraud Gustave Gustave Dore Hell Louis Christophe Gustave Dore Monster Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Scary Tail Terror Vergil Vergilio Vergilius Maro Virgil Winged Wings Allegorical Figure Cassell Deadly Geryon Mythical Beast Mythical Creature Poetry
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New terror I conceived at the steep plunge, c1890
EDITORS COMMENTS
is a captivating print that showcases Gustave Doré's incredible artistic talent. In this illustration from "The Vision of Hell" (Inferno), the first part of Dante Alighieri's renowned epic poem "The Divine Comedy" we are transported into a world of fear and imagination. Dante and the Roman poet Virgil find themselves riding on the back of Geryon, the monstrous embodiment of fraud. With its wings spread wide, Geryon soars through the air, carrying our protagonists deeper into their treacherous journey through Hell. The intricate details in Doré's engraving bring this mythical creature to life, instilling a sense of awe and terror in viewers. This powerful image captures both the physical danger faced by Dante and Virgil as they navigate through different circles of Hell, as well as symbolizing moral corruption and deceit. It serves as a reminder that even great poets like Dante can be confronted with terrifying challenges along their path towards enlightenment. Published in late 19th century editions of "The Divine Comedy". Gustave Doré's illustrations have become iconic representations of Dante Alighieri's masterpiece. This particular edition published by Cassell Petter & Galpin showcases Doré's ability to create hauntingly beautiful imagery that complements the profound themes explored in Alighieri's work. As we gaze upon this mesmerizing print, we are reminded not only of Doré’s artistic brilliance but also how literature can transport us to otherworldly realms where our deepest fears intertwine with our greatest hopes for redemption.
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