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No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)

No. 4 (shi), from the series 'Women Engaged in the Sericulture Industry (Joshoku... c. 1798 / 1800. Creator: Kitagawa Utamaro. No. 4 (shi), from the series 'Women Engaged in the Sericulture Industry (Joshoku... c. 1798 / 1800)


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No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)

No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", Japan, c. 1798/1800

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Media ID 36221058

© Heritage Art/Heritage Images

Boxes Kitagawa Utamaro Scoop Selection Sericulture Silk Farming Silkworm Sorting Textile Industry Tray Utamaro Utamaro Kitagawa Women At Work Calligraphy Color Woodblock Print Oban


FEATURES IN THESE COLLECTIONS

> Architecture > Industrial

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Utamaro Kitagawa

> Arts > Artists > U > Kitagawa Utamaro

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
No. 4 (shi) from the series 'Women Engaged in the Sericulture Industry' (Joshoku kaiko tewaza-gusa) is a captivating color woodblock print created by the renowned Japanese artist Kitagawa Utamaro around 1798 or 1800. This exquisite piece showcases three women at work in the sericulture industry during the Edo period of Japan (1603-1868). The women are depicted in traditional dress, sorting and selecting silkworms in a serene, well-lit room. The print is an exceptional example of the Ukiyo-e artistic school, which flourished during the eighteenth century in Japan. The title 'Joshoku kaiko tewaza-gusa' translates to 'Records of the Daily Life of Women in the Silk Industry.' This series highlights the daily life and work of women in various industries, providing a glimpse into the social and economic fabric of Japan during this time. The women in the print are dressed in elegant kimonos, with one wearing a pink robe and the others in green. They are seated around a low table, surrounded by boxes and trays, sorting the silkworms with great care. The intricate details of their clothing, the delicate folds, and the subtle color palette, are masterfully rendered in the print. The use of calligraphy in the title adds to the refined aesthetic of the piece, while the oban size (large format) enhances the overall impact of the print. The serene atmosphere and the intricate details make this a valuable addition to any collection of Asian art or textile history. The 'Women Engaged in the Sericulture Industry' series by Utamaro is a testament to the artist's skill in capturing the essence of daily life in Edo period Japan, making it an essential piece for art enthusiasts, historians, and collectors alike.

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