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No. 45, Hashihime, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta), 1857 Creator: Kunisada II (Kunimasa III, Toyokuni IV), Utagawa (1823-1880)
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No. 45, Hashihime, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta), 1857 Creator: Kunisada II (Kunimasa III, Toyokuni IV), Utagawa (1823-1880)
No. 45, Hashihime, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta), 1857. Private Collection
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Media ID 36358903
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1857 Colour Woodcut Far East Genji Monogatari Genremythology Allegory And Literature Japanese Art Kunisada Ii Kunimasa Iii The Oriental Arts Toyokuni Iv Utagawa 1823 1880
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EDITORS COMMENTS
No. 45, Hashihime, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta) by Kunisada II (Kunimasa III, Toyokuni IV), Utagawa, is a stunning example of the Ukiyo-e woodblock print art form from Japan's Edo Period. Created in 1857, this colorful and intricately detailed print depicts Hashihime, a character from the classic Japanese novel "Genji Monogatari" or "The Tale of Genji." Hashihime, also known as Lady Rokujo, is an allegorical representation of the concept of revenge and the cyclical nature of fate in the Genji story. In the narrative, Hashihime is driven to seek vengeance against Genji for his role in the death of her husband. The print captures her in a moment of intense emotion, with her long, flowing hair and expressive face conveying a sense of determination and anger. The background of the print is filled with mythological and symbolic elements, further enhancing the allegorical meaning of the image. For example, the dragon and phoenix at the top of the print represent the cyclical nature of life and death, while the cherry blossoms and moon symbolize the transience of life and the passage of time. This beautiful and intricately designed print is a testament to the artistic skill and creativity of Kunisada II (Kunimasa III, Toyokuni IV), Utagawa, and the rich cultural heritage of Japan during the Edo Period. It is a valuable addition to any collection of Asian art or literature, and a reminder of the enduring influence of "Genji Monogatari" on Japanese culture and art history.
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