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A North Country Transfer... 1805

A North Country Transfer... 1805


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A North Country Transfer... 1805

A North Country Transfer... 1805. Trotter, Paymaster of the Navy, leaving the Bank of England with two sacks. Abraham Newland (Chief Cashier) appears through the door. Opposite is Melville in a pawnshop. Alluding to the speculation by Trotter with public money

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Media ID 15178320

© London Metropolitan Archives (City of London) / Heritage-Images

Abraham Alexander Bank Bank Of England Georgian Pawn Shop Pawnbroker Paymaster General Royal Navy Sack Speculation Speech Bubble Trotter Naval Warfare Newland


FEATURES IN THESE COLLECTIONS

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Royalty

> Popular Themes > Money

> Services > Royal Navy


EDITORS COMMENTS
This 19th-century etching captures a significant moment in British history, titled "A North Country Transfer. . . 1805". The scene depicts Alexander Trotter, the Paymaster of the Navy, leaving the prestigious Bank of England with two sacks. Through the door stands Abraham Newland, Chief Cashier of the bank. On the opposite side, we see Melville in a pawnshop. This satirical artwork alludes to Trotter's speculation with public money. The vibrant colors and intricate details bring this historical cartoon to life. The men are dressed in traditional Georgian costumes, adding an authentic touch to the image. It is fascinating to observe how people shopped and interacted during that era. The location itself holds significance as it is set at Guildhall Library and Art Gallery, known for its rich collection of historical artifacts. This print offers us a glimpse into naval warfare during that time period when Britain was engaged in war. As we examine this piece closely, we notice speech bubbles emerging from various characters' mouths – perhaps engaging in conversation or expressing their thoughts on financial matters. Overall, this print serves as both an artistic representation and a social commentary on finance and speculation within British society during the early 19th century. Its historical value makes it an intriguing addition to any collection or exhibition focused on British history or satire art forms.

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