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Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)
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Numatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)
Numatsu, from the series " Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", Japan, c. 1806
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Numatsu, from the series 'Fifty-three Stations of the Tokaido' (Tokaido gojusan tsugi), Japan, c. 1806
EDITORS COMMENTS
. This print by Hokusai takes us back to 19th century Japan during the Edo period. The artwork is part of a renowned series called 'Fifty-three Stations of the Tokaido', which depicts various scenes along the famous Tokaido highway. In this particular print, we are transported to Numatsu in Shizuoka Prefecture. The coastal location is beautifully captured with vibrant green hues that evoke a sense of tranquility and harmony with nature. A man dressed in traditional attire rests beside a palanquin or sedan chair, his occupation likely that of a litter-bearer or attendant. The artist's meticulous block printing technique brings depth and detail to every element within the composition. From the delicate folds of clothing to the serene expression on the man's face, Hokusai masterfully portrays both human presence and natural surroundings. Through this artwork, we catch a glimpse into everyday life during Tokugawa period Japan – people going about their daily routines against breathtaking landscapes. It serves as an artistic testament to not only Hokusai's skill but also his ability to capture moments frozen in time. As we admire this piece at The Art Institute Chicago, it reminds us of Asia's rich heritage and artistic traditions while transporting us back centuries ago when road transport was essential for connecting communities across vast distances.
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